We had no troubles encoding and burning our 39-minute DVD project to a variety of disc formats. In one authoring mode, you can drag chapter points and menus to a visual representation of the menu and the buttons. Motion menus (but not backgrounds) can easily be created, but not previewed. You can set first-play items by placing the first menu after them.
We’re not sure we like authoring nonlinear DVDs on a linear timeline (similar to Pinnacle’s advanced Impression Pro DVD software), but it wasn’t hard to learn. Disc authoring is a template-drive affair integrated into the editing process, occurring directly on the editing timeline. Finally, Studio can be used to author, encode and burn discs such as DVDs. Studio 8 also has an Internet option that encodes your video to RealVideo and Windows Streaming Media formats and even offers about five minutes of storage space on Pinnacle’s streaming Web server. Sending analog out to a VCR or television is equally easy.
These crashes were consistently repeatable, and they were serious enough to cause WinXP to spontaneously reboot.Įxporting your movie to a DV camcorder via the FireWire port is easy enough. We did experience some crashes in our tests when dragging audio around to various tracks. This is a feature that we wish our favorite "advanced" editors would copy. We really liked using the audio faders in the mixer while previewing the project, with our changes automatically recorded. It is easy to precisely time audio clips, and to vary the volume of a track over time using standard envelopes to fade or duck the music under narration. There are a couple of audio tracks on the timeline that you can use however you like. Studio also lets users copy (rip) music from CDs. The included SmartSound feature (adapted from SonicDesktop’s fine software) lets you create a custom soundtrack for your video. The audio tools are a particularly good example of the simple effectiveness of Studio. The individual panels (dialogs) themselves are well designed and easy to use. Which items are in the Album panel and which are in either the Video or Audio Toolboxes was confusing at first, but it wasn’t hard to learn. Other operations, such as slow-motion effects and audio mixing, are on a Toolbox panel that scrolls up to obscure the Album panel. You access most operations, such as titles and transitions, from within the Album panel. The workflow in Studio is clear and simple. The timeline offers only a couple of tracks, mainly for title overlays, but Studio 8 isn’t targeted at folks who want to do extensive compositing anyhow. Studio 8’s storyboard is easy to use, but the program also offers a timeline view. In many situations where frame-accurate timing is not necessary, a storyboard view is all you need. Storyboards are a great way to rapidly arrange your movie without worrying about exact timings. Studio encodes video to any format on the fly so you can capture S-video input to DV or MPEG or even capture DV straight to DVD-ready MPEG-2. Studio arranges clips visually in the Album, even though the actual media is in one large file.
Option three: capture the whole tape at full quality and let Studio break it up into scenes for you. Second, you could use the fast preview as an off-line editor of sorts, editing using the low-quality preview files and then allowing Studio to capture only what it needs to create the final movie later (also a much touted feature of Final Cut Pro). First, if space is still tight, you might consider capturing a fast preview of the entire tape and then go back and visually select the scenes and takes that you want. Now that standard hard disks can hold a few hours of DV (one hour = 13 GB), Studio 8 has a number of alternate options. Typically, this meant that it took a minimum of two hours to get the footage from one DV tape onto your computer. In the waning moments of the last century, hard disk space was at a premium and video editors painstakingly captured only the scenes they needed from tape. Although it is certainly accessible to beginners, the depth of features in this package is impressive and may be all that a home videographer will ever need.Įditing video is a complex task even before you get to the actual editing.
This is a complete production package for anyone ready to upgrade their computer for video. The Studio 8 Deluxe version ($300) deserves another look, not just for adding a "1" to the version, but because of added hardware features like analog video/audio inputs and outputs, an extended breakout box and a FireWire port.
We liked the $100 Studio 7 software from Pinnacle.